The Horror Film and Psychoanalysis: Freud's Worst Nightmares

What lies beneath? / Robin Wood --
Introduction: Psychoanalysis in/and/of the horror film / Steven Jay Schneider --
The Question of Horror-Pleasure --
'What's the matter with Melanie?': reflections on the merits of psychoanalytic approaches to modern horror cinema / Cosimo Urbano --
A fun night out: horror and other pleasures of the cinema / Michael Levine --
Excerpt from 'Why Horror? The New Pleasures of a Popular Genre' (with a new afterward by the author) / Andrew Tudor --
Philosophical problems concerning the concept of pleasure for future psychoanalytical theories of (the horror) film / Malcolm Turvey --
Theorizing the Uncanny --
Explaining the uncanny in The Double Life of Véronique / Cynthia Freeland --
Manifestations of the literary double in modern horror cinema / Steven Jay Schneider --
Heimlich maneuvers: on a certain tendency of horror and speculative cinema / Harvey Roy Greenberg --
'It was a dark and stormy night ... ': horror films and the problem of irony / Jonathan L. Crane. Representing Psychoanalysis --
'What does Dr. Judd want?': transformation, transference and divided selves in Cat People / William Paul --
'Ultimate formlessness': cinema, horror, and the limits of meaning / Michael Grant --
Freud's worst nightmare: dining with Dr Hannibal Lector / Barbara Creed --
New Directions --
Doing things with theory: from Freud's worst nightmares to (disciplinary) dreams of horror's cultural value / Matt Hills --
The darker side of genius: the (horror) auteur meets Freud's theory / Linda Badley --
Violence and psychophysiology in horror cinema / Stephen Price --
Afterword: psychoanalysis and the horror film / Noël Carroll.